Rockville, Maryland
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ARTIST STATEMENT

After receiving my BFA in painting, I spent twenty-seven years engaged in other creative pursuits. September 11, 2001 was a turning point, moving me to pick up my brushes again. The result was “The Bluest Day,” a collection of paintings inspired by the images that had haunted me since that day, presented at the Foundry Gallery on the five-year anniversary of 9/11.

Since finishing “The Bluest Day,” I have been painting abstractly, working from my drawings. I love gesture drawing; attacking the paper with charcoal, drawing and smudging as I go. The figure eventually emerges, as does a record of the energy and spontaneity involved in the process. By then cutting up my drawings and re-assembling them into abstract collages, which often become the starting point for paintings, I combine grid-like composition with the energy and rhythm of my gesture drawings.
 

BIO

Deborah Addison Coburn is a painter and collage artist in the Washington, DC area. She received a BFA in painting from Cornell University, where she studied with Gillian Pederson-Krag and May Stevens. After post-graduate study in painting, graphic design and illustration at the Maryland Institute College of Art, she worked as an advertising art director at Doner Advertising and Smith Burke & Azzam in Baltimore, MD, and at Tracy-Locke/BBDO in Dallas, TX. Returning to painting, Ms. Coburn studied at the Corcoran School of Art with William Christenberry and Steven Cushner. Her work has been exhibited in solo and group shows at the Foundry Gallery and MOCA DC in Washington, DC, and featured in juried solo shows at The Art League Gallery at the Torpedo Factory in Alexandria, VA and the Montpelier Art Center in Laurel, MD. Ms. Coburn’s work was featured in the prestigious juried show, Strictly Painting 7 at the McLean Center for the Arts, and she is a finalist in the Bethesda Painting Awards 2010. Her collection of paintings commemorating 9/11, called The Bluest Day, is found in the art registry of the September 11 Memorial and Museum in New York, NY.
 

“I love gesture drawing"
attacking the paper with charcoal, drawing and smudging as I go. The figure eventually emerges, as does a record of the energy and spontaneity involved in the process.